Twelfth Night: Or, What You Will

Year
1969 1980 1987 1996 1998
     
Director
John Sichel John Gorrie Neil Armfield Trevor Nunn Nicholas Hytner
         
Olivia
Adrienne Corri Sinéad Cusack Jacquy Phillips Helena Bonham Carter Kyra Sedgwick
Sir Andrew Aguecheek
John Moffatt Ronnie Stevens  Geoffrey Rush  Richard E. Grant Max Wright
Malvolio
Alec Guinness Alec McCowen Peter Cummins Nigel Hawthorne Philip Bosco
Feste
Tommy Steele Trevor Peacock Kerry Walker Ben Kingsley David Patrick Kelly
Sir Toby Belch
Ralph Richardson Robert Hardy John Wood Mel Smith
Maria
Grant Mitchell Annette Crosbie Tracy Harvey Imelda Staunton Amy Hill
Duke Orsino
Toby Stephens Clive Arrindell Ivor Kants  Toby Stephens Paul Rudd
Viola
Joan Plowright Felicity Kendal Gillian Jones Imogen Stubbs Helen Hunt
Antonio
Maurice Roëves Stuart McCreery Nicholas Farrell
Sebastian
Joan Plowright Michael Thomas Gillian Jones Steven Mackintosh
Captain
Ric Morgan Russell Kiefel Sid Livingstone
Valentine
Malcolm Reynold Jim Holt Alan Mitchel
Fabian
Robert Lindsay Peter Gunn
AKA
 BBC Television Shakespeare: Twelfth Night (1981) (TV)  

Of these five, I have seen only the recent 1996 theatrical release by Trevor Nunn. I hope to get hold of more of these in due course.


Trevor Nunn (1996): This is really a delightful, if not particularly profound, version of the play, with an absolutely stellar cast. The treatment is very cinematic -- i.e., not particualarly stagey -- and the setting and costuming place it in an indeterminate post-Shakespearean period (perhaps early 19th century) in a rather generic European setting.

The play is cut, and certain of those cuts make the interpretation of motives a bit hard to follow if you haven't already read the play. If you have, however, it brings the scenes to life with remarkable aplomb.

The performances by the leads -- particularly Helena Bonham-Carter, Nigel Hawthorne, Ben Kingsley, and (the relatively unknown) Imogen Stubbs are all superb. The dialogue crackles along, and the whole treatment is remarkably fresh for a play that can, in the wrong hands, grow a little tired around the edges. Definitely recommended.



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